DESIGNER JOHNATHAN HAYDEN RISING THROUGH THE RANKS IN FASHION

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Fashion designer, Johnathan Hayden, The Art Institute of Dallas 2012 Alumnus, is being recognized for his work - a new face for the fashion industry as it confronts diversity and inclusion to promote genuine talent.

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As the fashion and retail landscape dramatically shifts across America, the opportunity for emerging brands has attracted attention to his eponymous womenswear brand. Despite Covid-19, he has quickly shifted to producing masks for the NYC community in partnerships with local nonprofits. His “Made in America” approach to ethical manufacturing was awarded a small grant from NYC non-profit, Harlem’s Fashion Row’s ICON 360 initiative (a recipient of $1 million from The Council of Fashion Designers of America x VOGUE’s “Common Thread” $5 million fund), 1 of 27 designers of color allocated funding. He credits The Art Institute for his equipping him with a strong technical design and production background developing quality design as the industry confronts demands for social consciousness amongst global environmental and racial equity concerns. Featured this month in Vogue Mexico’s editorial on young design talent, he speaks to the rigor and patience it has taken to make is stake in the international fashion industry:

"I may have been naïve to leap into the title of Fashion Designer, but like I said earlier, I was raised with a strict sense of duty to a greater whole—building community. So when I ‘found’ my brand, that sounds like it was an accident, something to happen by chance. But the truth is I have forged this brand. When asked, I point to everything around me in my studio and say, “This wasn’t built because of a ‘yes’. Everything you see exists despite every exclusionary ‘no’,” for whatever reason. I don’t know what the future looks like, but I know what I am trying to work towards. I’d like to see fashion truly exercise inclusion to reimagine what that means. To me, that’s listening to more voices and then, as a fashion designer, using my brand as a lens for that idealism to aspire towards."

Johnathan Hayden is a luxury designer label founded in 2016 having debuted its first collection at Rakuten Fashion Week TOKYO in October 2019. The New-York based hybrid-designer unites his interest in technology and fashion to create luxury clothing with adaptive details. Hayden has worked with nonprofit organizations like non-profit Open Style Lab at Parsons specializing in inclusive clothing for people with disabilities and continues to explore meaningful applications of technology in design showcased at The Metropolitan Museum of Art.

AiLive host, E. Vincent Martinez, speaks with Johnathan Hayden, a NYC fashion designer, creative consultant, textbook illustrator and Art Institute of Dallas graduate.

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Capri Holdings Donates $3 Million to Coronavirus Causes

Capri Holdings, which owns Michael Kors, Versace, and Jimmy Choo, has announced that together its three brands will donate more than $3 million to aid those impacted by the coronavirus. “Our hearts and souls go out to those who are working on the front lines to help the world combat the COVID-19 pandemic,” says chairman and chief executive John D. Idol.

The Michael Kors company will divide a total donation of $2 million—$1 million from the company and $1 million from founder Michael Kors himself—between three New York–based organizations. NYU Langone Health and NewYork–Presbyterian Hospital will each receive a $750,000 donation, while God’s Love We Deliver and Vogue and the CFDA’s A Common Thread will each receive $250,000.

Versace, which already donated $1 million to the Chinese Red Cross Foundation in February, will donate an additional $400,000 to Milan’s San Raffaele Hospital and $100,000 to the Camera Della Moda to supply ventilators and medical equipment to Italian hospitals. In London, Jimmy Choo will donate $250,000 to the NHS and to the WHO’s COVID-19 Solidarity Response Fund.

Altogether, the companies’ donations will aid people around the world, echoing the ways fashion has banded together globally to combat this crisis. “This is clearly a time for people to come together in every way and on every level, because we are all stronger in our united resolve,” says Idol.

Source: Vogue

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CFDA + Vogue Launch Program to Fight COVID-19

In response to the pandemic, the CFDA/Vogue Fashion fund has been repurposed and rechristenend A Common Thread. Tom Ford and Anna Wintour Photo credit: Clint Spaulding/WWD

In response to the pandemic, the CFDA/Vogue Fashion fund has been repurposed and rechristenend A Common Thread. Tom Ford and Anna Wintour Photo credit: Clint Spaulding/WWD

“What can we do?”

Anna Wintour posed that question to CFDA chairman Tom Ford earlier this month in reference to the coronavirus pandemic that has devastated the fashion industry. Both notoriously proactive and intrepid, they came up with a plan within days: to repurpose the CFDA/Vogue Fashion Fund, shifting focus from emerging designers to all the American fashion community who are severely financially impacted by the COVID-19 fallout.

The initiative, renamed A Common Thread, aims to raise awareness as well as money. Beginning March 25, designers and those who work behind the scenes across the industry can submit videos in which they tell their fashion stories, including the impact of the pandemic on their careers and lives. The videos will live on the digital platforms of the CFDA, Vogue and all Condé Nast titles. The program utilizes the hashtag #cvffacommonthread.

Logo for A Common Thread, the CFDA/Vogue Fashion Fund COVID-19 Relief Fund.

Logo for A Common Thread, the CFDA/Vogue Fashion Fund COVID-19 Relief Fund.

Wintour came up with the name A Common Thread, the logo for which features a sewing needle and red thread in the shape of a rose, the needle pulling the thread and piercing the bloom. Word of the program will go out to CFDA membership today in a letter penned by Wintour, which she and Ford signed.

“It’s easy to feel helpless as the news changes hour by hour, and the challenges it all presents only seem to grow and become more insurmountable as time goes on,” it reads.

To lessen the sense of isolation and desperation, the message encourages members to take advantage of available city and state resources, listed on the CFDA web site. “Yet,” the letter continues, “the question remains for us: What can we do to help?”

A Common Thread is Wintour and Ford’s initial answer. Although the fund’s parameters have been fully defined, designers and brands seeking relief can apply on the CFDA web site beginning on April 8.

“We’ve created a fund, now we have to fill it. Then we have to figure out who gets that money,” Ford said on Monday, noting that significant details — criteria for consideration; who will decide how funds are allotted and to whom — “need to be fleshed out.”Already established: The program is open to designers and brands across the industry. They need not be former CFDA/Vogue Fashion Fund winners, nor even CFDA members. While the selection committee remains TBD, it will include people from both within and outside of Vogue and the CFDA, according to Ford.“We’re rushing to put this together as fast as possible because we want to let everyone have a voice in this. We want to do something,” he said.

See Also: Fashion Industry Comes Together to Fight Coronavirus Pandemic

The CFDA/Vogue Fashion Fund has awarded $6.6 million in prize money since its inception, with the most recent annual purse a total of $700,000 distributed among the winner and two runners-up. Those resources will be transferred to A Common Thread. In addition, there’s a crowd-funding element. As of today, donors can contribute by texting “thread” to 44321 or online at givelively.org, a fund-raising platform for nonprofits. Suggested amounts range from $5 to $100 to name-your-number.If that approach seems modest relative to the devastation wrought by COVID-19, Ford and Wintour will likely seek major-donor contributions going forward.

There is no reason that we’re not at some point going to be hitting up larger companies for bigger contributions,” Ford said. “It will really depend on what happens after all this is over. If it only lasts three months, I think we’ll be able to raise more money than if it drags on and on.”Yet it’s one thing to offer a young, fledgling designer-led company a first prize of $400,000 and mentorship by an industry leader to help kick-start his or her business. It’s quite another to, in a meaningful way, help an entire, vast industry comprised of thousands of businesses, many of them already challenged before the virus struck, to rebound in a landscape that’s almost completely dark, producing next to zero revenue for who knows how long. The level of relief required (if any amount will be enough) is more in line with that sought in a parallel CFDA effort spearheaded by Tory Burch made known over the weekend — explicit inclusion in the near-$2 trillion federal stimulus package now being battled over in Congress.Ford praised that effort, and stressed the necessity of its success. “I have to say, Tory has done a great job,” he said. He added that while the letter sent to President Trump and signed by the CFDA and a host of other industry organizations “was quite general,” in behind-the-scenes exchanges, “people were getting quite specific.”By comparison, what A Common Thread can deliver is modest. “We’re not senators,” Ford said, while noting that the two efforts serve overlapping but not identical purposes.To that end, A Common Thread’s storytelling component should resonate powerfully. “There is symbolism to it and in a way, maybe that’s the bigger part of it — uploading videos, putting faces to everyone who’s out of a job, who needs a job, giving them a place where they can communicate that. I think the power of that will affect the funds we’re able to raise, and from whom.“Whether you’re a seamstress or a tailor, whether you work in a shop, whether you’re a fashion designer, whether you’re someone who won the Vogue/CFDA Fashion Fund, you will [send in] videos to the site,” Ford continued. “I think that the more we can put faces to the individuals who are suffering, the more help we’ll be able to get.”

See Also: Fashion Groups Seek Government Aid

To that end, fashion suffers from an image problem. Though a huge industry that’s central to the economy and employs, including retail, millions of workers in a vast array of mostly unglamorous disciplines on every imaginable pay scale, generally, when people think of the fashion industry they don’t conjure images of seamstresses, patternmakers, production people and retail sales associates. Rather, they envision its glamour deities — celebrities like Wintour and Ford.Worse, they often project a world in a bubble, an elite, exquisitely dressed bubble whose denizens live to be on the front end of the next hot handbag launch while flaunting chic attitude. “Let’s face it, a lot of people think fashion is frivolous,” Ford said.

Wintour concurs that perception is not only misguided but dangerous, particularly now. “[Too many people] think about fashion in a very narrow sense,” she told WWD on Sunday. “They’re not thinking about all the different layers that are involved, whether it’s the factories or the supply chain or those who supply raw materials, or the truck drivers who deliver the goods. It stretches out so many different ways. I think it’s the biggest employer in the country. People are not thinking about it in that way. They’re thinking about it as a very niche business, and that is a mistake.”

One for which fashion itself must accept a share of responsibility. “People see the glossy surface,” Ford said. “That’s what we as fashion designers and the fashion industry work to show the world — we work to show people the glossy surface that makes them want to shop and buy the products. So they’re not aware of everything that goes on behind it.

”That must change now. “We have to educate,” Ford offered.

Which speaks to the importance of A Common Thread’s video project. “It’s very important to put faces to this,” he said, noting the resonant power of Tom and Rita Hanks going public with their diagnoses, as well as the tragedy of the New Jersey family that has lost four members to COVID-19. “When you see the photographs, when you hear the stories,” Ford said, “it touches you emotionally far more than statistics will.”

Source: WWD /  Bridget Foley

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