Atlanta Fashion Week Officially Announced

Atlanta Fashion Week (ATLFW) was officially announced with the City of Atlanta Mayor’s Office of Film and Entertainment, Invest Atlanta, RAGTRADE ATLANTA and more at the W Atlanta-Buckhead hotel. Atlanta Fashion Week will take place August 5 – 9, 2020 and will host a series of runway shows, fashion presentations, shops and industry talks. The city-wide event will feature a diverse group of local, national and global designers and talent.

atlfw atlanta fashion week

Diversity and inclusion will play a major role in not only positioning Atlanta as a global fashion destination, but the success of Atlanta Fashion Week. With a highly acclaimed reputation and influence in pop culture, Atlanta is primed to intersect fashion, tech, music and visual arts on a national stage.

The Mayor’s Office of Film & Entertainment under the direction of Phillana Williams committed their support and resources to ensure the success of Atlanta Fashion Week. Williams also spoke to the positive impact fashion week will have on Atlanta’s economic growth including culture, commerce and jobs. Lonnie Soobar, director of small business development for Invest Atlanta shared additional insight about the many programs the agency provides to support local designers. Saboor also shared Invest Atlanta’s commitment to expanding their small business programs further. Philanthropic Educator and Founder of, E. Vincent Martinez discussed how Atlanta Fashion Week will benefit fashion students with real life experience and how the platform will assist in retaining talent in the Atlanta market. Tracey Lloyd, district manager of JC Penny shared three key reasons why Atlanta is uniquely positioned to deliver on a fashion week; discussing how demand, supply and culture are closely aligned with our retail community. Robert Woolridge, general manager of W Atlanta-Buckhead shared his excitement around the launch of Atlanta Fashion Week and how his property is in full support.

Angela Watts, producer of Atlanta Fashion Week (centered) shares her vision about the upcoming show in 2020.

Angela Watts, producer of Atlanta Fashion Week (centered) shares her vision about the upcoming show in 2020.

Atlanta Fashion Week is committed to evolving into a global fashion destination with the mission of celebrating diversity, innovation and creativity in fashion. Our primary goal is to create an interactive hub for fashion designers where trend-setting work is celebrated before it reaches a mainstream audience. Atlanta Fashion Week is the ultimate resource for fashion designers and represents fashion as a conduit for expression in technology, music and visual arts.

Visit ATLFW HERE & Join their mailing list.


Maison Margiela SPRING 2020 READY-TO-WEAR

Maison Margiela

Lest we forget, John Galliano is a British man living in France. Among all the noise and polarized positions generated by Brexit, one of the slogans frequently voiced by the right is that British independence is “what we fought for in the war”—a trigger phrase which totally ignores the fact that the fight was against the forces of fascism in Europe. His Spring collection was a timely salute to the ordinary young men and women—the nurses and airmen, the army and navy boys—who stepped up to win the victory against Nazism in alliance with the French Resistance in occupied France.

The march of the Margiela liberation army is all about what’s going on today, of course.

“Reverence for the lessons of history and what they taught us,” read a thought line in his press release. “Stories of hope, heroines, and liberation are forgotten as history draws ever closer to repetition.”

Call to witness his first volunteer, a nurse in a navy serge cape, white hospital sleeves, and a gray serge pencil skirt. Second, a girl in a black dress with a veiled hat trimmed with a feather, somewhere out of the ’30s or ‘40s—maybe one of those chic-against-the-odds Frenchwomen of the Resistance who went about their undercover work carrying secrets and explosives in their sensible handbags.

Later on, when a couple of girls came out with poufs of fabric floating behind them, you had to wonder: Were those partial evening dresses or vestiges of the parachutes used by that secret army of female agents who dropped behind enemy lines? Where there was jewelry, it was in the form of decorations, medals, pins, and military stripes.

The fact that Galliano turned to exploring uniform—the ultimate built-to-last clothing—chimed with fashion’s current drive to put forward clothes with substance and value. In recent seasons, his consciousness of the digital world, social media, and what the Gen Z interns bring to his studio has sent him into explorations of creative chaos. This still wasn’t a collection of literal costume narrative—there were layerings of coats with holes—but the feverish fragmentary collaging and back-to-front and upside downness of recent shows were largely gone, replaced by a sense that this is a time for shaping up and showing what you stand for—skills and beliefs included.

What he showed is that he’s a tailor who cuts it with the best, be that in a man’s civvy-street double-breasted pinstriped jacket, or a subverted airman’s uniform, the jacket cropped to the midriff over way-up-high pleated trousers.

Somewhere in the mix too, there was a pure white mackintosh, made-in-Britain trad as its most timelessly classic. There is plenty to be proud of in heritage, he seemed to be saying, but that includes the right to freedom of self-expression, inclusive of defending the LGBTQ+ rights that have been enshrined in law—only very recently—since Europe has been united. It was exuberant; it was fun; it was a celebration of male eroticism—a platform for everyone’s right to camp it up in vertiginous platform knee boots. Somewhere in there too was the hope that all that progress won’t have to be fought over again.

Source: VogueRunway




If invitations give some hints to a collection’s mood, the one sent by Alessandro Dell’Acqua for his No. 21 Spring show left room for interpretation. A pair of men’s briefs in see-through nude net tulle arrived encased in a clear PVC envelope. Slightly puzzled by the message, I asked the designer backstage to expand on the subject. “It’s just a provocation,” he said. “But it can come across as a not-too politically correct statement. The briefs are masculine but can also be worn by a woman. So what? There’s too much bigotry and moralism around these days. There’s zero tolerance for too many things. I think it’s time to say basta!”

Dell’Acqua rounded the message by referencing the famous collection du scandale, designed by Yves Saint Laurent in 1971—at the time it made waves with its overt erotic tones, while launching the couturier into the fashion stratosphere. “It’s one of my favorite collections of all time,” said Dell’Acqua. Its spirit of sophisticated transgression appealed to the designer, resonating with his penchant for insouciant eroticism.

The coed Spring collection, a first for Dell’Acqua, had un undone, provocative feel, with a certain disheveled polish thrown in for good measure. Flowing dresses in microfloral-printed, washed, sweet-hued chiffon—primrose, candy pink, pea green—looked deceptively demure, but their billowy sleeves were slit to reveal the arms with apparent nonchalance. Pleated skirts were buttoned-unbuttoned askew on one side, exposing the legs. Floral shirtdresses were worn as if they were one-shouldered; diagonal slits on bodices revealed a lingerie top underneath. Even tailored blazers got their dose of unraveling, with sleeves mercilessly cut open. The look felt pretty sensual, confident, and alluringly elegant, without crossing the line into being too obviously, boringly seductive.

Lately Dell’Acqua has introduced an atelier-like feel in his No. 21 collections, working on more substantial volumes with rich, luxurious fabrics like cady, gazar, silk cloqué, and duchesse, yet he has kept the attitude modern, feminine, and unfussy. Here he continued the play on short balloon shapes and abbreviated hourglass silhouettes embroidered with crystal ribbons, nicely contrasting the fluidity of drapings and asymmetries or the playful strictness of tailoring. It made for a convincing exercise in style dynamics.

Menswear was infused with a feminine, nonconformist vibe; suits were cut sharp but softened by micro-floral allover prints and worn with baggy, slouchy Bermudas or overstretched, open-cut-sleeve knits. As for the invitation briefs, they’ve apparently proved a success. “They’re in great demand! People are asking for them,” said Dell’Acqua. “I’ll probably have to start a production.”

Source: VogueRunway


Assembly New York SPRING 2020 READY-TO WEAR

Making the old feel new again is Greg Armas’s specialty; since he founded Assembly New York, his eye for vintage has largely informed his designs for men and women. Spring 2020 found him thinking about early rave culture, which thrived on reworking 9-to-5 style for after-hours with wild accessories. He interpreted the concept quite literally by mixing his signature suits and shirting with chunky boots and shield sunglasses. There was a new, graphic energy in the zebra stripes and tie-dyed jeans, too, but if you took everything apart, each piece was still inherently wearable. That’s another Armas specialty: clothes that are easy to wear in “real life,” but still feel interesting.

On that note, an oversize, single-sleeved white button-down would pair just as well over a tank and trousers (as shown here) as with jeans. Less intuitive was the abstract bandeau-and-skirt set, but Assembly customers who enjoy layering will get a kick out of Armas’s suggestion to layer a clashing blouse underneath. The designer said he felt he took the biggest risk with color: “I like to challenge myself every season,” he explained. “Aqua and lavender are tones that I’ve never really played with.”

On the men’s side, Armas pointed out a classic blazer embroidered with real keys, a nod to “latchkey kids” who wore house keys around their necks when their parents worked late. He even included one of his own keys, which opens a longtime friend’s house in Los Angeles. “If you were a kid, you may have only had one, but if you’re a bit older, you might have five or six different keys, which are all represented on this special tuxedo jacket,” he said. The concept was mirrored on a pair of jeans as well. Those keys weren’t the central story of Spring, but they added a nice personal touch.

Armas’s love of vintage extends beyond those retro concepts and silhouettes: This season, he reported that 90 percent of the fabrics were upcycled or repurposed. It’s a New Age trend rooted in the past, and it’s gaining popularity this season as fashion attempts to address its massive impact on the environment.

Source: VogueRunway


CAAFD Emerging Designers Outshine During NYFW S/S20 Collective Showcase

CAAFD Emerging Designers Outshine During NYFW S/S20 Collective Showcase

The Council of Aspiring American Fashion Designers yet again unveiled various emerging brands during New York Fashion Week.  CAAFD welcomed six thoroughly screened, approved and selected brands from around the globe representing their country of residence or origin. Among the newly selected and returning brands were:  Moon Chang, A Humming Way, Farida Temraz’s Temraza, María Sonia, Yufash and Phoenix Ba. Collectively the brands showcased their spring/summer 20 collections after each other. Individually, the brands exquisitely showcased their unique work of art and passion, exhibiting mix of bright colors, elegance, flare, couture,  and some edgy. With a fully packed, standing room only, six designers showcased at one sitting. Fashion professionals and celebrities among the audience waited patiently as each brand took their turn to grace the runway.   

Egyptian designer Farida Temraz opens the show,  presented her couture brand 'Temraza' with flare and elegance. Though the designer has made quite a name for herself in the red carpet circuit in the previous two-three years, this was Farida Temraz's first being listed on the official fashion week schedule as part of CAAFD newly selected Designer and she did not disappoint. With a total of 24 pieces, the collection consisted of evening gowns, cocktail dresses, and bridal couture. The color palette picked by the designer was mostly pastel with the occasional electric blue and white seen in a couple of pieces. Temraza's common thread was the floral element which Farida Temraz used in almost all her pieces, giving them a refined and elegant touch. She presented with two bridal options - a trumpet gown with a halter illusion neckline with off-shoulder sleeves and a ball gown with ruffled sleeves completed with a veil. The gowns provided with a wonderful contrast between the modern and the traditional.

Phoenix Ba Spring/Summer 20 Floral Motifs Collection Exhibited Majesty. The Toronto based designer presented 15 pieces in her collection and showed surface textile techniques in her collection. Her opening piece was a double-breasted dress with floral motifs on warm tones. The collection consisted of evening wear with A-line and sheath gowns. There were also a couple of skirts, a pair of pants with a tube frill top along with a floral jumpsuit. She incorporated the floral theme throughout the collection as each piece had intricate floral work in it. A lot of different materials were used like mesh and tassels in a couple of pieces. Phoenix Ba's love for hair accessories was also on display as each model walked with floral hair bands or other floral hair accessories matching their outfits. Her finale piece saw a model in a peplum top and pleated skirt walking down the runway. 

Paraguayan Fashion Designer Maria Sonia Shines Bright with Colorful Silhouettes  - Her Spring/Summer 20 brings ‘hope’ to the mood and climate of the world. Think of Spring and every bright color that comes with it. And that is exactly what you will find on the runway for the Maria Sonia Showcasing at the NYFW. The CAAFD approved designer presented a collection of 15 pieces. The colorful collection has been inspired by the designer's roots and the scenario was quite different from what you generally expect at a fashion show's runway. The models walked boldly, freely on the runway, lifting their trains and showing them to the audience. It was a rhythmic dance as the model twirled around to fully show their outfits. Maria Sonia wanted to focus on the evolution and empowerment of women and on the runway, she did just that. Her collection was bright and playful. It consisted mostly of gowns and cocktail dresses. Though the silhouettes were mostly structured, there was a sense of free flow in Maria Sonia's pieces. It was topped off with the floral head fans which could be spotted on all the models. Overall, it was fun and vibrant. Looked like spring had finally arrived! 

Yufash Spring/Summer 20 showcased unisex collection. The designer exhibited a mix of casual, dressy and evening wears with simplicity in mind.  We saw men with t-shirts with bold shining prints and the ladies with glowing evening wears with technology influenced prints. The kind that when the light goes off you become the attention of the room as though you weren’t already noticed. Using various colors from dull to the brightest you can find on the color spectrum, Yufash brand executed elegance with minimalism. The long blue dress and the orange finale dress were few of our favorites.  The designer, Kadri Klampe is an Estonian-born, founder and designer who created Yufash as a unique and forward-thinking brand made for the confident and powerful women of the world, with all garments fabricated exclusively in England. Founded in 2015, Klampe and Yufash have since experience skyrocketing popularity, including having designs featured on the hit television series Scream Queens. Yufash is one of the few designers chosen as part of the CAAFD’s incubate/nurturing program, returning for her second seasonal showcase after her previous career-defining CAAFD showcases. 

A Humming Way Spring/Summer 20 Collection Met with Warmth and Excitement During CAAFD NYFW.  An Indian brand inspired by the old world regalia of the state of Rajasthan in India. With the support of CAAFD, this was the first time that the designer brand was showcasing their collection at the New York Fashion Week. The collection was titled "Matsutake," and represented the mushroom's characteristics of adaptability with utmost brilliance. Matsutake is also known to spread a feeling of hope and that is what Sweta Agarwal tried to emit through her showcasing. The collection had 14 pieces in total. It had a mix of cocktail dresses, gowns and jumpsuits all in a palette of soft pink, browns, gray and white. The collection had a lot of mirrors work to trace the roots from which the designer label began. A humming Way's entire collection was soothing and quite welcoming. 

Moon Chang, the brand to close the show, presented their Spring/Summer 20 Collection leaving audiences in Awe. Her Collection was titled, "Hybrid Beauty." It showed Moon Chang's personal journey during the time she was going through PTSD. The mood was set with the haunting yet musical music being played in the background. The models make-up was done in a way to make their eyes look swollen. She presents a collection of 11 pieces with the focus color being black. Moon Chang described how she survived the death situation with the words "Being Cute." In her collection, she incorporates cuteness with the use of ribbons, ruffles, and flowers. The cute elements with her oversized dresses created a contrast of cuteness in ugly places which is what the designer wanted to show through her collection. Moon Chang, as one of CAAFD favorite brands never disappointed. Her presentation were met me one word sentence, “WOW”.



How many times have you heard that the streets of New York are a runway? Well, the same is true of the subway, only maybe more so. There’s glamour and grit down there, same as above ground, but down below there’s a captive audience.

Tom Ford is the new chairman of the CFDA, and after starting in June his first move was to shorten New York Fashion Week. Simultaneous with the consolidation, designers have been producing more experiential events. We’ve seen bands, modern dancers, and a 75-person choir this week, but only Ford arranged for a private viewing of a disused platform of the Bowery stop on the J/Z line lit an electric pink for the occasion. Many of his 180 guests were surely subway first-timers, but the regular commuters got a big kick out of it too.

What is Mr. Slick doing in the subway? Ford’s notes made mention of the famous shot of Andy Warhol and Edie Sedgwick emerging out of a manhole cover. The subway also jibes with his new-since-last-season interest in simplicity. “I think that it’s a time for ease,” he wrote, “and in that way a return to the kind of luxurious sportswear that America has become known for all over the world.”

Enter look one: a jersey scoop-neck tee with the short sleeves rolled up to the shoulders and a duchesse satin skirt so white it was beaming. Not exactly subway-safe, it was low-key fabulous and synthesized the compelling high-low essence of the collection. Or consider another example: satin blazers cut characteristically strong and worn with elastic-waist nylon basketball shorts. “These torture me,” Ford wrote of the shorts, pointing out that he doesn’t let his son Jack wear them, even though his classmates do. “I’m always fascinated by things that ‘torture me.’” Ford didn’t play it completely contrary, though. The molded plastic tops were a luscious homage to Yves Saint Laurent’s Lalanne breastplates via Issey Miyake. And Ford’s tailored men’s jackets were typically loud and louche.

Connecting with one of the key messages of the season so far—let’s call it the nearly naked trend, for now—Ford threw a dress coat over a leather bra, cut a jumpsuit so it fell open to expose a strappy bikini top, and sent out a pair of slinky maillots. Of course, the millennial designers doing the same have probably been studying Ford’s old Gucci shows. That legacy of great American sportswear Ford was talking about? He has a stake in it. What’s new is old, that’s just how fashion works. Credit Ford, he’s expanding his vocabulary.

Source: VogueRunway



Gypsy-Sport nyfw 2020

Life is not always a beach for young designers trying to make it in fashion, and Rio Uribe of Gypsy Sport would know. Over the past six years he’s successfully navigated the changing tides of the industry, running a fully independent business with unwavering commitment. Still, when it’s all work and no play, there’s not much room left for creative daydreaming. Which is why, these days, Uribe is making a conscious effort to make more time for himself. With palms tree lining the runway, that joyous out-of-office attitude was in the air at his show today. Showgoers at the rooftop venue were clearly feeling the vibe, too, and sipped on fruit cocktails in the warm Indian summer evening.

The sunset tangerine and canary yellow palette of the clothes spoke directly to a permanent vacation mood. Shimmying out while covered in sparkling gold body paint, the first model set the tone, flaunting a party-starting halter-neck dress fashioned from hundreds of beaded safety pins. That ingenious approach to chainmail is one Uribe has been evolving for the past few seasons and is proving surprisingly popular despite—or perhaps because of—its unabashed fashion-forward sensibility.

Uribe made sustainability part of his agenda early on and is now focused on honing signature DIY archetypes. An update on the terrific denim he showed for Spring 2019, the new jeans had an appealing tropical look thanks to the appliqué hibiscus flowers. The safety pin-studded Bermuda shorts were a showstopper when they were first worn by rapper Rico Nasty last season and are likely to be a hit in this new one. In a moment when the notion of luxury is being reevaluated altogether, Uribe’s soulful one-of-a-kind pieces are a sunny proposition.

Source: VogueRunway