Ralph & Russo Fall 2020 Couture

Tamara Ralph spent the lockdown in the South of France, where she triangulated with London and Italy on producing collections. And even without a commute or social commitments, the designer said she’s been busier than ever.

“We’ve had to adapt a lot, but a lot of interesting things also came out of this time in terms of problem-solving,” the designer said by Zoom. Not just in terms of making clothes, but showing them too, which she’s doing with a little help from Hauli, an avatar whose name in Swahili evokes strength and power, and who sprang to life with help from an AI developer in South Korea. “We were working on a bigger digital strategy, but this pushed it into fast-forward,” offered Ralph. “We wanted to do something that had never been done before to that level.”

You have to hand it to her: The result is astonishing. For inspiration, the designer looked to the natural world, travel, art and architecture, producing eight pieces IRL and using AI to develop eight others.

Dressed in couture, Hauli appears amid some of the seven contemporary wonders of the world, among them Petra (in a pale blue silk double satin gown with an embellished cut-out bodice), the Taj Mahal (in a full fringe-and-crystal strapless pink gown), and the Great Wall of China (in a pale pink floral-printed fishtail gown with organza flowers, crystal embellishments, and matching cape). Digitizing florals to develop prints and re-embroidering them is just as laborious in the virtual world, Ralph said. Either way, it seems she’s hit on an essential accessory for sharing her vision.

As the world awaits a return to social proximity, customers also appear excited to push ahead. The designer said people are starting to call in with dates—they still want to get married, after all—and, contrary to expectations, they’re forgoing pared-down, safer looks in favor of fantasy. Which also opens up new paths. Home and hospitality are a space Ralph said she’s been wanting to explore for a while. A collaboration in a new fashion category will land in stores this fall; another for spring 2021 will be revealed in October. Meanwhile, the brand’s sole non-fashion collaboration was supposed to be revealed in Paris today. It’s been pushed back, but already a few customers have lined up to buy it, the designer said. In a neat piece of symmetry, it also involves the initials “RR,” and it’s one of the most expensive models that the storied carmaker has ever produced. Proof, as if more were needed, that once the Ralph & Russo customer steps into this world, she tends to stay put.

Source: Vogue

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Christian Dior Fall 2020 Couture

There was no traffic jam on the rue de Varenne, no walk through the Rodin Museum, no scrum of street style photographers waiting in its Garden of Orpheus, and certainly no giant tent behind it. Le confinement made the staging of a Christian Dior haute couture show and the experiencing of its grand rituals impossible. Instead, last Friday, Maria Grazia Chiuri was booked solid with Zoom calls. “It’s our first couture presentation online, so it’s something very unusual,” she said.

Chiuri enlisted her friend Matteo Garrone, the Italian filmmaker who directed last year’s Pinocchio, to create a short surrealist movie titled Le Mythe Dior. With no runway to design for, Chiuri’s concept for the season was Théâtre de la Mode. In 1945, amid the devastation of World War II and with materials in short supply, Paris designers created clothes for doll forms one-third the size of their human female counterparts. Miniature dresses and tailleurs by 60 French couturiers and their mannequins were displayed at the Louvre and the exhibition was such a marvel—the clothes and accessories were made with such exacting care, with functioning buttons and handbags filled with tiny wallets and powder compacts—it went on to tour the world, raising funds for French war survivors in the process.

During the Zoom preview, Chiuri’s creations were displayed in a prodigious trunk on mannequins, which is how Dior couture clients around the globe will engage with them. Like the “Théâtre de la Mode” wonders of 75 years ago, Chiuri’s scaled-down day looks and gowns were painstakingly made. They truly give the term petite mains new meaning, but she reported that the task this season brought her team and the Dior studio workers—all working from home and all connecting via phone call or video conference during the shutdown—a lot of joy. “The project was very positive,” she said. “Seeing the first prototype, there was a strong spirit of community.” Doll-size clothes are fairly irresistible, as Garrone’s fantasia aims to demonstrate—even a statue can’t resist their allure. But the rewards of satisfying work can’t be underestimated and the movie’s scenes of Dior artisans and seamstresses lovingly filmed working behind the scenes are equally compelling. Amidst the crushing unemployment of COVID-19 time, even more so.

Chiuri’s “muses” this season seem chosen with that notion in mind. On the call she name-checked the likes of Lee Miller, Dora Maar, and Jacqueline Lamba—20th-century women who are often remembered by history for their beauty or for their famous lovers and husbands, but in fact did important work of their own as artists. Chiuri’s own work for Dior is unmistakable, even at one-third size: The diaphanous gowns—in embroidered tulle, in pleated chiffon, in meticulously patch-worked pastel lace—are fairy tales come to life.

In Le Mythe Dior, couriers bring a trunk of shrunken clothes to the woods. In this fairy tale, the magic that transforms them into real garments is the couture atelier, and the nymphlike protagonists get to keep the dresses. Reality intrudes, though. The narrowness of the film’s cast illustrates that when it comes to fashion and the inclusiveness of intersectional feminism, there’s work yet to be done.

Source: Vogue

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THE TOP 10 MOST EXPENSIVE SNEAKERS

THE TOP 10 MOST EXPENSIVE SNEAKERS

Have you ever wondered about the most expensive sneakers of all-time? The popularity of sneakers has risen sky high over the past decade. Many releases are incredibly scarce, which has helped to create the reseller sneaker market. The increased demand for unique sneakers, paired with their limited supply has led to some jaw-dropping prices on the most sought-after sneakers. Sneaker collectors have splurged on kicks that could be defined as the complete opposite of frugal.

Take a look at the Top 10 Most Expensive Sneakers below:

NIKE MOON SHOE

Nike Moon Shoe – $437,500

Nike Moon Shoe – $437,500

Nike co-founder Bill Bowerman originally created the waffle sole using his wife’s waffle iron. The waffle sole was one of the first major innovations from Nike. These sneakers sport an out-of-this-world moniker to go with the price tag. The Nike Moon Shoe was originally created for the 1972 Olympic Trials. Less than 12 pairs of the shoes exist today. The only known unworn pair of Nike Moon Shoes recently sold at auction by Sotheby’s for $437,700 to Canadian collector Miles Nadal, making them the most expensive Nike shoes of all time. In fact, the Nike Moon Shoe is mentioned for the record-breaking price tag by the Guinness World Records. The Nike Moon Shoe can be confidently classified as the most expensive sneakers in the world.

MICHAEL JORDAN’S GAME-WORN CONVERSE FASTBREAKS

Converse Fastbreak – $190,373

Converse Fastbreak – $190,373

Before Michael Jordan teamed up with Nike to create the Air Jordan brand, he wore Converse sneakers throughout his pre-NBA years. This particular pair of Converse Fastbreak Mid sneakers were worn by MJ at the 1984 Olympics gold medal game versus Spain. The game-used and autographed shoes fetched an impressive final bid of $190,373 at SCP Auctions. These kicks are widely considered as the most expensive basketball shoes of all-time.

BUSCEMI 100MM DIAMOND

Buscemi 100mm Diamond – $132,000

Buscemi 100mm Diamond – $132,000

Bling is king. These limited edition Buscemi sneakers are adorned with 11.50 carats worth of diamonds, along with 18-karats of gold hardware. The 100mm Diamond was launched to celebrate the opening of Buscemi’s Soho flagship store in NYC. No word as to who (if anyone) ended up buying these sneakers. Buscemi put together the most expensive mens sneakers at a retail price.

MICHEAL JORDAN’S GAME-WORN AIR JORDAN 12 “FLU GAME”

Air Jordan 12 “Flu Game” – $104,765

Air Jordan 12 “Flu Game” – $104,765

This particular pair of Air Jordan 12 sneakers were worn during the “Flu Game”. After his iconic performance in Game 5 of the 1997 NBA Finals, MJ gifted the game-worn shoes to a Utah Jazz ballboy, who put them up for auction in 2013. The Jordan factor definitely creates a bidding war at auctions. Grabbing this piece of NBA history ended up costing over $100k at an auction hosted by Grey Flannel Auctions. The “Flu Game” Air Jordan 11s are the most expensive Jordan shoes.

2016 NIKE MAG SELF-LACING “BACK TO THE FUTURE”

2016 Nike Mag Self-Lacing “Back To The Future” – $104,000

2016 Nike Mag Self-Lacing “Back To The Future” – $104,000

Almost 30 years after the Nike Mag was featured on screen, Nike made the sneakers available to the public. Nostalgic Back To The Future fans clamored to purchase these very expensive Nike shoes. The Nike Mag was originally released in 2011, then re-released in 2016 with the added self-lacing functionality. Nike raffled the sneakers online with proceeds benefiting the Michael J. Fox Foundation for Parkinson’s Research. The release was limited to 89 pairs, which led to a huge resale price on these Nike trainers. A pair sold for over $100,000 in 2016 at a Hong Kong charity auction.

1989 NIKE MAG “BACK TO THE FUTURE II”

1989 Nike MAG “Back To The Future II” – $92,100

1989 Nike MAG “Back To The Future II” – $92,100

A piece of movie history. One of the most valuable sneakers. The iconic Nike Mag sneakers remain popular today, over 30 years since the release of Back To The Future II. The auction for the Nike Mag shoes used on screen, was in fact only for a single shoe. The shoe was badly damaged due to age. Shoezeum owner Jordy Geller listed the shoe on eBay, which fetched an impressive 220 bids and a $92,100 final price.

BIG BOI’S DIAMOND ENCRUSTED NIKE AIR FORCE 1

Nike Air Force 1 Diamond – $50,000

Nike Air Force 1 Diamond – $50,000

Diamonds are forever. Big Boi grabbed a pair of custom kicks created by Enel Dawkins of Laced Up Atlanta. These luxurious Nike Air Force 1 sneakers are embellished with 13k champagne diamonds. Adding precious gemstones to a pair of sneakers is a sure-fire way to create a jaw dropping price tag. Big Boi can happily call himself the proud owner of the most expensive Air Force 1 sneakers.

AIR JORDAN 11 “JETER”

Air Jordan 11 “Jeter” – $40,000

Air Jordan 11 “Jeter” – $40,000

Air Jordan created these shoes to celebrate the retirement of Derek Jeter. The Air Jordan 11 “Jeter” was reportedly limited to only five pairs. The sneakers were available exclusively at Yankee Stadium via raffle. A pair recently sold for $40,000 online at Stadium Goods. The Air Jordan 11 “Jeter” sneakers are the most expensive Air Jordans (that were not worn by Michael Jordan).

EMINEM X CARHARTT X AIR JORDAN 4

Eminem x Carhartt x Air Jordan 4 – $30,100

Eminem x Carhartt x Air Jordan 4 – $30,100

This collaborative effort from Eminem, Carhartt, and Air Jordan was limited to only ten pairs. The shoes commemorate the 15th anniversary of Shady Records. The sneakers were auctioned on eBay back in 2015 with proceeds going to Literacy Through Songwriting Program by the MSU Community Music School-Detroit. It is good to know that many of the most expensive trainers are sold to benefit charity.

DJ KHALED X AIR JORDAN 3 “GRATEFUL”

DJ Khaled x Air Jordan 3 “Grateful” – $20,000

DJ Khaled x Air Jordan 3 “Grateful” – $20,000

DJ Khaled dropped these sneakers exclusively via raffle to people who purchased his Grateful album. This very limited release led to a pair selling for $20,000 at online sneaker marketplace StockX. The Air Jordan 3 “Grateful” was once the most expensive thing on StockX.

SOURCE: Frugal Male Fashion

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Vivienne Westwood LFW AW 20/21

Vivienne Westwood began designing in 1971 along with her then partner Malcolm McLaren in London. At the time they used their shop at 430 Kings Road, London, to showcase their ideas and designs. With their changing ideas of fashion came the change of not only the name of the shop but also the décor. It was in 1976 when Westwood and McLaren defined the street culture of Punk with Seditionaries

By the end of the seventies Vivienne Westwood was already considered a symbol of the British avant-garde and for Autumn/Winter 1981 she showed her first catwalk presentation at Olympia in London. Westwood then turned to traditional Savile Row tailoring techniques, using British fabrics and 17th and 18th century art for inspiration. 

1989 was the year that Vivienne met Andreas Kronthaler, who would later become her husband and long-time design partner, as well as Creative Director of the brand. In 2004 the Victoria & Albert museum, London, hosted a Vivienne Westwood retrospective exhibition to celebrate her then 34 years in fashion – the largest exhibition ever devoted to a living British fashion designer. In 2006, her contribution to British Fashion was officially recognized when she was appointed Dame of the British Empire by Her Majesty, Queen Elizabeth II, and in 2007 was awarded the ‘Outstanding Achievement in Fashion’ at the British Fashion Awards in London. 

vivienne westwood aw 20/21 lookbook fashionado

Vivienne Westwood is one of the last independent global fashion companies in the world. At times thought provoking, this brand is about more than producing clothes and accessories. Westwood continues to capture the imagination, and raise awareness of environmental and human rights issues. With a design record spanning over forty years, Vivienne Westwood is now recognized as a global brand and Westwood herself as one of the most influential fashion designers, and activists, in the world today. 

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Feng Chen Wang London Fashion Week SS 2021

The ‘Rework’ collection from Feng Chen Wang is a sustainability conscious line focused on reducing environmental impact. The collection takes reference from Feng’s own memories; growing up as a child in rural China through her past collections she reflects on the meaning and messages each memory conveys.

The Rework collection recycles past Feng Chen Wang garments and fabrics, creating new pieces with the brand’s signature 2-in-1 design technique which incorporates deconstruction and draping. It combines the concept of recycle and redesign by reviewing the production process to reduce the brands impact towards the environment, allowing the garments and fabric that are leftover to be brought into a new dimension. This capsule revisits important Feng Chen Wang moments, such as the AW18 collection where “There’s no place like home” was a key theme. Feng referenced her first house number by embroidering 239 to evoke a sense of home, her memories, family and friends.

The iconic SS18 collection’s ‘Made in China’ stamp is also included in this capsule to continue seeking to redefine and challenge its global connotations. These key moments are reflected upon and reincarnated into the Rework collection to signify a revival and remind ourselves to reflect on our own memories.

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Hublot Launches the BIG BANG e

In 2018, the first connected version of the Big Bang made its debut. And now, Hublot unveils the BIG BANG e.

The new incarnation of the brand's Art of Fusion ethos: a fusion between tradition and innovation, cutting edge materials and the latest digital technology.

Hublot Launches the BIG BANG e

To mark the 2018 FIFA Football World Cup™ in Russia, Hublot presented their first connected watch model, the Big Bang Referee 2018 FIFA World Cup Russia™. Equipped with the latest technological developments then available for wearable technology, this formidable tool was used both by referees on the pitch and by football fans, as a virtual stadium so they could join in with the competition. Two years later, Hublot returns with a new model: the BIG BANG e, a connected watch equipped with the latest technology that adopts all the iconic Big Bang codes.

"Electronic watches were created in Switzerland using quartz in the 1970s. Fifty years later, we are continuing in the same innovative vein by producing a second smart watch which boasts an extremely high level of technological sophistication, whilst embodying all the aesthetic values, technical features and excellence that have ensured the reputation of our Big Bang collection. Ever more faithful to our "Art of Fusion" motto, we wanted the BIG BANG e to unite Hublot's highly advanced technical materials with the very latest innovations from today's digital world." - Ricardo Guadalupe, CEO of HUBLOT

Full of sophistication and advanced technology, this piece fits in perfectly with Hublot's watchmaking tradition. All the codes that have helped build the brand's reputation thus far can be recognised instantly, by enthusiasts and the public alike.  A good pedigree always shines through! Its case is cut from materials such as black ceramic or titanium in a "sandwich" construction, an innovative style invented by Hublot in 2005. Extremely complex, it comprises 42 components, 27 of which are for the K Module alone, the "cage" which houses the digital heart of the watch. The design of the screws and pushers, the scratchproof sapphire crystal, and its rubber strap – with deployant buckle invented by Hublot in 1980 for the Classic model and the patented One Click system for easy interchangeability –  leave no-one in doubt: element by element, it is clear that this is a true Big Bang! 

The BIG BANG e is available in a 42 mm case, made from a choice of titanium or ceramic. The hour numerals are metallised underneath the scratchproof sapphire crystal, which is covered with an AMOLED high definition touchscreen. Just like a mechanical version of the Big Bang, its rotary crown with integrated pusher is used to activate the controls for its electronic module. Developed in partnership with other brands within the LVMH Group, the watch is adapted and perfected to meet Hublot's requirements.

Transferring their traditional expertise into this new digital environment, the designers in Nyon have developed new watch functionalities. Apart from the "Time Only" analogue function, the BIG BANG e features exclusive interpretations of traditional watch complications, such as a Perpetual Calendar with an immaculately precise moon phase or a second GMT time zone, which presents the earth in a very realistic way. These functionalities have been revisited and enhanced to take advantage of the possibilities offered by the digital world. Despite this built-in technology, Hublot guarantees the watch is water-resistant to a depth of 30 meters.

Powered with Wear OS by Google™, the BIG BANG e enables customization to the smartwatch experience. The wearer can access apps on Google Play, get answers on the go with Google Assistant and make fast simple payments with Google Pay. For a more personal experience, easily swipe to helpful information and stay up to date with notifications and messages. In addition, dials specifically created by the talented Hublot ambassadors and Friends of the Brand will be gradually unveiled.

Available as soon as the BIG BANG e is released, the first edition is part of the #HublotLovesArt movement: a series of eight dials stemming from the imagination of storytelling artist Marc Ferrero. Every three hours, the dial changes colour, meaning eight creations are displayed in sequence over a 24-hour period. Each of these is based on a specific colour: Happy Yellow, Magic Blue, Orange Dynamite, All White, Lucky Green, Magic Red, Rainbow Spirit and Black Magic. And that is not all. Every full hour is marked with the appearance of an animation that lasts five seconds. A very #HublotLovesArt way of adding a touch of colour and rhythm to different moments throughout the day!

The BIG BANG e will be produced in two different editions: one in titanium and one in black ceramic. For the first time in Hublot's history, this watch will be sold online on the brand's website as well as on the Wechat network in China. It will then be available to purchase in boutiques and the traditional network.

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CFDA Announces Initiatives to Fight Systemic Racism in Fashion Industry

CFDA Fight Racism in Fashion Industry Fashionado

The CFDA has outlined several initiatives targeted on making systemic change in light of the “deplorable acts of racism and violence that we have seen play out in our country over this past week,” as announced in a joint statement today by chairman Tom Ford and president and CEO Steven Kolb. It follows behind a string of similar announcements as brands, companies and people worldwide respond to the deaths of George Floyd — the African-American man who was killed while in police custody in Minneapolis last week — and others that have been killed by the police.

“Black people in this country are reeling from years of injustice stemming from institutional constructs such as slavery, segregation, mass incarceration, police brutality and economic and voter suppression,” the CFDA said. “The Black community is experiencing anger and frustration on top of the effects of the global pandemic that has hit communities of color the hardest.”

According to the statement, the CFDA held a board meeting on Tuesday to formulate various actions that the organization plans to take in order to “stand in solidarity with those who are discriminated against.” Among the initiatives, the organization plans to create an in-house employment program to aid Black talent, a mentorship program focused on Black students, and to begin immediately donating to organizations that benefit the Black community.

“Having a clear voice and speaking out against racial injustice, bigotry and hatred is the first step, but this is not enough,” the CFDA stated. “This is a deeply disturbing moment that speaks to us all…We must do something.”

Source: Hypebeast

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